Mill has given us two great mixtapes, Dreamchasers and Dreamchasers 2, that prove he is as smooth a rapper as there is working today. ![]() He’s got the immediate fire of Ross’s carefully regimented rhymes and the intricate flow of Wale’s tricky wordplay, but he manages to sound like neither of his MMG partners.īut if this year’s Dreamchaser 2 showed Meek Mill at the top of his game, Dreams and Nightmares tells a story more about MMG than Mill himself. It’s another safe full-length from the group, the kind of thing that will sell copies but stifles the charm and creativity of the rapper in the spotlight. There are moments of greatness from Mill here, and as a whole it is a well-built record. #Meek mill dreams and nightmares album zip professional#īut it also feels professional in all the coldest ways. It’s a record that proves MMG a conglomerate, a very direct money-making machine, rather than making money through creativity. So it’s no real surprise that Meek Mill spends a lot of time yelling on this record. ![]() In fact, the whole record feels ham-handedly strident. It seems necessary for Mill, a guy trying hard to make a name for himself even as he is charged with building the MMG brand at every turn – yes, we do get the woman saying “Maybach Music” tagline more than once here. Sometimes his shouting is a brilliant turn, as with the on-fire opener “(Intro) Dreams and Nightmares”. The song builds its anger, and Meek Mill spits long verses, line after blistering line, and you know right away that Mill is, at least here, trying to bring his A-game, separating himself from any laid-back, half-assed rapping with some true skill. Later in the record, Mill screams out the gunplay anxiety of “Tony Story Pt. No one since Ghostface has so perfectly undercut the uber-masculine image of gunplay with the very real fear of death underneath.
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